cave painting

cave painting · 09. January 2018
The second technique has been staged after such method of symmetrical composition where a composition is structured by concatenating the several groups in a systematic way. We can easily ascribe a name of such procedure as “Connecting-link composition”. It is a unique method of composition that has widely found only in Ajanta cave painting.
cave painting · 22. December 2017
After the reformation of Ajanta cave painting, now it has been distinguished properly that the Ajanta fresco of the cave number 9 and 10, started from the era of Sanchi and ended in Gupta era. Indeed, to understand the sculptures of the several parts of India, those cave paintings of Ajanta help explicitly because all the techniques applied on the paintings of number 9 and 10 cave was implemented later in the sculptures of Amaravati, Sanchi, and Vharhut.
cave painting · 03. December 2017
Now we have to move towards the number 1 and 2 caves of Ajanta where we will explore some of the excellent paintings related to the holy lifespan of Lord Buddha. Now we are in the front of cave number 1 and it is the exterior view of this cave.
cave painting · 10. November 2017
As I stated that the cave number 9 and 10 was the oldest painting in Ajanta cave, so we will start from here. The time of excavation of this cave was 2nd to 1st century AD.
cave painting · 29. October 2017
The new tradition produced a new philosophy of painting that we will find in Vinaya Pitaka, a Buddhist grammar of painting that pursued the India’s oldest grammar book of painting.
cave painting · 15. October 2017
In this segment, I am about to discuss the materials used in Ajanta cave paintings concurrently, my endeavor will help you to light up the philosophy behind such masterpieces.