Based on the previous discourse, here I would like to say that although we attempted to establish about the innovative talent of Ajanta artists, however, the truth is,.................
By so long, we discussed the two objectives of the Ajanta composition; one, - easy composition by following the equal symmetrical concept, and secondly, the connecting-link composition where all the segments of a storytelling composition perform as a panoramic view. Besides this, there is another formation had been leading in Ajanta composition. We can recognize it as “Elliptical composition”.
The new tradition produced a new philosophy of painting that we will find in Vinaya Pitaka, a Buddhist grammar of painting that pursued the India’s oldest grammar book of painting.
In this segment, I am about to discuss the materials used in Ajanta cave paintings concurrently, my endeavor will help you to light up the philosophy behind such masterpieces.
Ajanta cave has been keeping up the history of the seven centuries of Indian art and this chapter, profoundly dug the secrets of some important caves that have a historical significance.
The Ajanta cave painting is discovered less than 200 years ago. Actually, it is discovered on 1829. Before that, we merely found a little statement about the Ajanta cave from one of the traveler mendicants named Hyun Sung who visited this place in the year 640