There is another technique of perspective had been using in that era we identified as “rotation perspective” and in Ajanta cave painting, we could find it in several compositions. To see this fantastic concept, we have to go to the number one cave.
By so long, we discussed the inner thought behind the concept of several compositions of Ajanta cave painting; now we are going to analyze the sense of perspective by digging the several problems they faced to bring forth the factor of distance in their painting.
By so long, we discussed the two objectives of the Ajanta composition; one, - easy composition by following the equal symmetrical concept, and secondly, the connecting-link composition where all the segments of a storytelling composition perform as a panoramic view. Besides this, there is another formation had been leading in Ajanta composition. We can recognize it as “Elliptical composition”.