There is a distinctive factor in the Mughal miniature painting, among other Indian styles and forms, which vindicate that the origin of the Mughal miniature is not in India. The specialty of the Mughal miniature is the use of calligraphy around the border of the miniature that raises a unique value of Mughal miniature art. What's the unique point of it?
Our colorful (and of course, beautiful) world is becoming faded away and transformed into gray by this unwanted worse that makes our living uncertain. We were not ready for such an unknown curse that appeared without any prior notice or even without having an offense of 760 crore common global citizens. We love peace, friendship, and a healthy relation to all we admire most. We love living with a sense of artistry; we like poems, literature, music, movies;
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Nevertheless, we could not leave out in the cold a specialty that came with the conquest of southern India of Aurangzeb which performed as ‘Deccan style’, entered in the Mughal painting. It was a successful regional inclusion in the Mughal miniature painting that made it precious.
In the reign of Shah Jahan, the grandeur of Mughal painting reached to the highest level. The offering of former emperors like Humayun, Akbar, and Jahangir make it possible to get such a called which as a successor, Shah Jahan nourished with his dexterity.
Granting introduction of the illustrated artworks of Tutinama(1); there was a radical change occurred even in the illustration of Hamzanama. Attributing to the emotional scene in the painting, the artist created an absolute tension in all aspects that never happened before in the Indian painting. In such a way Hamzanama created a new tradition in Indian art that we never found in the earlier manuscript art or elsewhere. In the Hamzanama, the Mughal miniature painting went far beyond the Persian
After the Iranian Kalam; Indian traditional art flowed to the Mughal paintings respectively which gained more liberties, and self-confidence. The interfusion among the native Rajput style and persian style got a new form that scholars recognized as Mughal Miniature. It had absolutely a separate character which later recognized as Indian 'Gharana'.
In the history of the Indian painting, the era of the Mughal Kingdom was one of the most important times when Indian traditional art got prospered with the exotic Persian art and culture. Interlacing the Persian art with Indian tradition, it also got a freshness and polished form. From this time, the Indian miniature reached the highest label of aesthetic value considered later as the icon of India.
Each artist has a separate style and the process of painting that convey their unique thought and vision. It's all about the related world around the artist accommodates to reform the individual structural value based on their experience. As an inhabitant of the rural area, my painting also echoes the value of rural life span within a specific character narrates of its own significance. Within a geometric form, implementation of the Indian grammatical notion produces my desired synthesis that...
After completing the course of fine art, I started traveling across India each year. Most of those were historical places related to Hindu religion. It was an opportunity for me to get closer to those ancient sculptures and discover the incidental myths or real facts behind it. It helped me to understand widely the pulse of Indian sculptures. I came across some of the hidden secrets related to India’s earliest process of yoga and some religious doctrines based on the real facts.