The second technique has been staged after such method of symmetrical composition where a composition is structured by concatenating the several groups in a systematic way. We can easily ascribe a name of such procedure as “Connecting-link composition”. It is a unique method of composition that has widely found only in Ajanta cave painting.
After the reformation of Ajanta cave painting, now it has been distinguished properly that the Ajanta fresco of the cave number 9 and 10, started from the era of Sanchi and ended in Gupta era.
Indeed, to understand the sculptures of the several parts of India, those cave paintings of Ajanta help explicitly because all the techniques applied on the paintings of number 9 and 10 cave was implemented later in the sculptures of Amaravati, Sanchi, and Vharhut.
Now we have to move towards the number 1 and 2 caves of Ajanta where we will explore some of the excellent paintings related to the holy lifespan of Lord Buddha. Now we are in the front of cave number 1 and it is the exterior view of this cave.
The Ajanta cave painting is discovered less than 200 years ago. Actually, it is discovered on 1829. Before that, we merely found a little statement about the Ajanta cave from one of the traveler mendicants named Hyun Sung who visited this place in the year 640
I am few of those artists who love to work with several platforms. I like to challenge my creative spirit in those platforms and indeed, every time I discover myself in those creative fields. Although, I have a very limited ability due to the risky financial condition, in spite of this situation, still my creative spirit force me to involve in those platforms.