In the 1500 century, by praising the illustrated manuscripts, related artistic workflow got prosper in several ways. To get satisfaction, the wealthy families of the Jain community made a number of duplicates of old manuscripts in a new way by implementing updated methods of color making that evolve the overall manuscript composition. Financial supports increased the usability of costly materials such as Lapis lazuli, tourmaline, gold.
In the fifth century, a massive famine happened in Gujarat. To rescue the manuscripts from the disaster, a convention of Jain monks had been arranging in 453 century. On that summit, some resolution had been approved to save those valuable jewels. In such a good project, an initiative assumed by some wealthy persons of Jain community. In the era of ages, all the valuable Jain manuscripts had stored in such a secure way in the Jain monasteries.
In the manuscript painting of the Pala era, we can notice a kind of sculpture-like value that is not obtainable in the Jain manuscript. It is because at that time, a lot of traveler mendicants, wise figures and devotees came from China, Tibet, and Nepal in the Pala dynasty and influenced Indian artists by their native grammatical doctrine and ideas of painting and sculpture in several ways.
In the histories of manuscript art, it is difficult to define, how the style of cave painting converted into flat type two dimensional art that specially composed for the ancient manuscripts. It is because of unavailability of the manuscript painting between of 7 to 10 century. The objective of the evolution of the conversion in manuscript art...........
In this episode, I am about to define the materials of those ancient manuscripts and the structural variation based on the spiritual communities stated above and the locations. Undeniably we astonished to observe the artistic sense that even reflects the modernism in the art of those oldest manuscripts. Indeed it is noticeable that Indian art never recognized the form that meets with the outer part of the object.
In this modern era, we are well-known about the book illustration performs as the supplements of the written content. Such an essential concept of interior book designing is not an innovative idea of the modern publishing industry, rather it had been performing from the medieval era between 700 to 1500 centuries of India.
The New Year of 2019 around our corner and we are now ready to welcome our future. Our human life is a novel and each year comes as a new chapter of our LifeBook. We, continue writing our stories, making a new episode, closing the chapter to start a new one. At this moment, we are now ready to start a new chapter of our LifeBook in 2019 by concluding our past of 2018.
There is another technique of perspective had been using in that era we identified as “rotation perspective” and in Ajanta cave painting, we could find it in several compositions. To see this fantastic concept, we have to go to the number one cave.
By so long, we discussed the inner thought behind the concept of several compositions of Ajanta cave painting; now we are going to analyze the sense of perspective by digging the several problems they faced to bring forth the factor of distance in their painting.